GamingExcellence writes: "After getting the opportunity to play an preview build of SvR 2009 earlier this year, I was not the slightest bit apprehensive about giving the game another look. It looked and played great the first time around and with some impressive new features highlighting this year's title (namely a co-op Career Mode, downloadable content, and improved online-play mechanics) there was little cause for concern when I was prepared to pick up a controller, that is until I saw myself standing in front of the LCD screen with the Wii version of the game at my fingertips instead of the Xbox 360 version I was more familiar with. I walked in feeling like the Rock, confident with a bit of arrogance, and cockiness thrown in but now I was more like Rocky Mavia, green and inexperienced when it comes to the unique Nintendo Smackdown offering, but undoubted, I proceeded with Wiimote and Wii Nunchuk in hand and came away with a very satisfying albeit strange feeling. Wrestling on the Wii can be a total workout!"
One week from the next gen release of WWE 2K15, let's take a look at how moves and animations have evolved (?) through the WWE Games series... After comparing the character models with last week's video, we now look at the animation of several finishers / signature moves.
Many of the old animations look better than the new ones especially the Sweet Chin Music and Goldberg's spear. The 2K14 Clothesline from Hell looks awesome though.
Comparing the face textures of WWE Games character models through the years... featuring John Cena, Booker T, JBL, Undertaker, Hulk Hogan, Mr. McMahon and many more... evolution?
I hope that was the last generation version of 2k15 if it is I'm canceling my pre order.
WWE have produced a lot of video games in their time, with varying degrees of quality. Which are the best though? Jason Delacey tries to pick five Stone Cold Stunners.
Here comes the pain.... all time fav WWE...
once my cousins and i played elimination chamber whole night .. one match whole night.. good times
peace
