oprainfall writes:
“Jonathan may have been ill this past week, but it didn’t stop him from covering/talking everyone’s ears off about the epic Nintendo Direct that just aired. Not only do the podcasters chime in about Bravely Default being localized for the West, but there are plenty of predictions, especially about the not-yet-localized Dragon Quest games and the long-desired Majora’s Mask 3DS remake.
“After the Nintendo Direct, there’s plenty said about Pandora’s Tower and the developers behind it, as well as Soul Hackers, and even Mega Man gets some discussion! There’s also a response to last week’s Vita discussion featuring Lead Reporter Steve Baltimore, and lots of anime talk to round out the show. It’s definitely a complete package this week, folks!”
VGChartz's Evan Norris: "Is Ocarina of Time as legendary as I remembered it? For the most part, yes. In spite of a handful of missteps — a few obtuse puzzles, some tedious backtracking, and a clunky stealth sequence — I don't believe the last 23 years have been unkind to it. Ocarina remains a brilliant example of the medium, a landmark game that shaped the future of its own franchise and 3D gaming in general. After more than two decades it retains its inventive dungeon design, challenging puzzles, dynamic combat, wistful storyline, unforgettable music, and empowering open-air freedom. I feel confident calling it one of the greatest games of the fifth generation, even if I'm no longer prepared to list it among the five best games ever made."
Pure unadulterated fun. They don't make them like this anymore...especially not the triple A industry.
IGN writes: Mother 3 is one of the most hotly-desired RPGs ever, having never received an official translation in North America despite the cult popularity of its predecessor, Earthbound. But over all these years, series creator Shigesato Itoi has never weighed in on the discussion - at least until now."
The long-awaited documentary, which highlights the online community that's built around cult SNES RPG EarthBound over the years. It's an examination of the power of online communities and fandom, and the impact that Shigesato Itoi's series has had on its fans.